Brazil Photoblog

By Clay Gordon | 3 years ago | 7 min read

Following up on the Clubhouse room “Origins: Brazil” on July 12th with featured guests Arcelia Gallardo and Rogerio Kamei.

These photos were taken on my first-ever trip to Brazil in 2017 as a guest of the organizers of the Chocolat Bahia festival in Ilhéus.

Brazil was the second stop on my almost three-week long trip. The first stop was Perú for the Salon del Cacao y Chocolate.

New York › Lima › São Paulo › Ilhéus › São Paulo › New York.

Parte Um — São Paulo

I was fortunate to have wonderful local guides and hosts in São Paulo – Juliana and Tuta Aquino, Zelia Frangioni, Luisa Abram, and Arcelia Gallardo. While I was able to visit chocolate shops and factories and see some sights and eat wonderful food, it was not all fun and games – I was asked to be a judge for the first Prémio Bean-to-Bar Brasil as well as to give a tasting to Prémio entrants and participate in the awards ceremony.

Yeah. I know. The sacrifices I make for cacau e chocolat.

L-R: Judging samples for the First Prémio Bean to Bar Brasil; Tasting table with Prémio entrants; A rare photo with me in it – with Rogerio Kamei of Mestiço in his workshop.

L-R: Arcelia Gallardo; Zelia Frangioni; Claudia Schultz. From my *Faces of Chocolate* series.

Some of the wall art – I hesitate to call much of it graffiti – around São Paulo is amazing.

An indoor fresh/cooked food and flea market.

Could *not* visit São Paulo without spending an evening at a club listening to music and dancing.

L-R: Presentation of Brigadeiro at Maria Brigadeiro, credited with being the first “gourmet” Brigadeiro maker; Presentation of the Brigadeiro and hot chocolate at Amma – easily the best Brigadeiro I have *ever* eaten and the vegan hot chocolate, which is garnished with freshly toasted coconut chips, was also top-notch; maybe a maracuja caipariña with a tropical fruit icepop.

My favorite set of signs for a restaurant – ever, anywhere.

Parte Dois — Bahia & Ilhéus

Vários pontos de vista

Fazenda Venturosa – Lola Gedeon and Jim Lucas

Mais Fazenda Sagarana — Fazenda Sagarana – Henrique Almeida

Fazenda Lagedo do Ouro — Fazenda Lajedo do Ouro – Pedro Magheles

The processing center for Mendoa Chocolates.

06h00 sunrise over the Pacific. One of the most spectacular I can recall. — 06:02, Friday, July 21 – Sunrise over the Pacific. Probably *the* most spectacular sunrise I have ever experienced.

The Single Best Meal in Over 18 Years Traveling to Origin

In 2014 I had the opportunity to partake in the Elevations 17-course tasting menu with paired wines at Central, then considered one of the top five restaurants in the world. My host was Christopher Curtin, who was able to wrangle the last-minute spot because of his relationships with Eric Ripert and Anthony Bourdain and their chocolate project, the Good & Evil bar.

That meal, interesting as it might have been conceptually, turned out to be no match for the simpler pleasures of the meal at Espaço Beija-flor.

Normally closed on the day of the week we visited, the chef/owner opened the kitchen to us and magic happened.

The setting. (The chef/owner is in the blue t-shirt.)

LR;TB – Tropical libation served in a cacao pod; mixed chips; mixed chips w/ sauce, plated; grilled fish w/ garnishes; mixed grill; farofa; no leftovers (except for some of the garnish); dessert; infused locally-made cachaças – the green was extra-special.

While Beija-flor is not a Michelin-starred restaurant (and does not pretend to be), the meal was that all-t00-rare combination of the perfect mix of people, ambiance, respectfully prepared and artfully plated tasty/unpretentious (authentic?) fresh/local food and beverages, topped off with unfailing grace and hospitality of the chef and staff.

Os Pés de Um Dançarino de Cacau

The Featured Image for this post: Valdir on the drying pad at Fazenda Sagarana – the feet of a cacao dancer, after dancing on the cacao.

Watch Valdir “dance” on cacao!

The purpose of dancing on the cacao, according to Henrique Almeida of Fazenda Sagarana where this video was taken, is to assist in removing excess pulp, accelerating the drying process. It is a traditional technique that is no longer widely practiced and that is criticized (or perhaps misunderstood) in some quarters as being “folkloric.”

Upon first sight, my thoughts went to, “How could this possibly be sanitary?” Could the beans be contaminated by walking all over them in bare feet? I could ask this same question about traditional drying practices I have seen in places like Grenada where the beans are moved around on the pad by foot – but have never thought to question it.

Upon reflection, and examination of the potential risks, I am less worried about the process if (and this is a big if) the dancer washes their feet properly and has no obvious foot diseases caused by microorganisms that might survive the acidity of remaining pulp.

Whatever you think about the process, and whether you agree or disagree about potential health risks, I think you do have to agree it’s mesmerizing to watch.